Jul
3rd
Thu
3rd
Dennys, yes the Dennys of Grand Slam Belgian Waffle Emergency Rest Stop fame, just called me on the phone. Something something about “one of their bands,” Taking Back Sunday.
I said “now that is a band I associate with Dennys.”
Is real! I’ve got the music off, the tape rewound, headphones plugged in, new Word doc open, and…and I just can’t do it.
So I wrote this blog post instead.
[ELECTRONIC DANCE FUN] Generally, a techno show is a techno show is a techno show. But an Atole show is a different beast, with the Portland electronic pop collective acting more like a rock band than the short-lived old model of electronic dance performance (a dude holding down CTRL and Z on his keyboard). But I ain’t here to hate, I appreciate! Atole is so much fun that even a performance-centric old-schooler like myself uses it as a gateway drug to get into other bleep-bloop music. El Ten Eleven fits that bill, playing Ratatat-style dance rock with a decidedly more 8-bit feel, and Portland New Wave outcasts Flaspar give dance fiends and aural obsessives alike something to bond over. And I’ll finally say it: It’s getting increasingly hard not to notice a “Portland Sound” developing out of high-energy electronic pop.Strangely, I find this to be almost as bad as Tonry’s cringe-worthy rant in the Mercury. The points missed/purposefully evaded are much the same—one just cloaks it in hoakey earnestness while the other tries to deliver it with a dull rockist knife.